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Auction archive: Lot number 6

Plato. Omnia Platonis opera. Venice, Aldus, 1513. modern pigskin, the Garden copy

Estimate
£20,000 - £30,000
ca. US$25,132 - US$37,698
Price realised:
n. a.
Auction archive: Lot number 6

Plato. Omnia Platonis opera. Venice, Aldus, 1513. modern pigskin, the Garden copy

Estimate
£20,000 - £30,000
ca. US$25,132 - US$37,698
Price realised:
n. a.
Beschreibung:

PLATO Απαντα τα του Πλατωνος... Omnia Platonis opera. Venice: (in the house of Aldus and Andrea Torresani, September 1513) Folio (310 x 192mm.), woodcut Aldine device on title-page and final verso, text in Greek, blank leaf π2 bound after 2/4, with blank leaf ii4, modern pigskin by Bernard Middleton (c. 1980) tooled in period style, two clasps, in brown morocco folding box, title lettered across foredge, a few deckle edges, title-leaf slightly stained, a few wormholes at beginning and end, occasional light staining A TALL COPY OF THE EDITIO PRINCEPS. The text was prepared by Aldus and Marcus Musurus; the first addressed his preface to the new pope Leo X, making a "supplicatio" for a new Christian Republic and for literature, and the latter composed a verse Hymn to Plato (in Greek). Between the two prefaces is a list in Latin of the treatises include in this volume. This edition of Plato was just one of many Greek editiones principes printed by Aldus, though it can also be viewed in contrast to his Aristotle (printed by Aldus in 1495-1498); Aristotle was beloved of scholastic philosophers, and Plato was traditionally seen as an enemy to Christianity. However, the revival of Platonic study during the Renaissance attempted to align Plato with Christian ideals, particularly visible in the works of Marsilio Ficino, who had produced the first printed translation of Plato in 1484. LITERATURE:Aldo Manuzio tipografo 116; Edit16 37450; Renouard 1513/4; UCLA 113 PROVENANCE:Franciscans of Montepulciano, S. Maria di Fontecastello, inscription and shelfmark (H.1) across foredge (see MEI for other similar examples, also owned subsequently by); Guido Nobili (1525-1600), four armorials and inscription on title-page; [Charles W. Clark, of Montana, sold from his estate by Rosenbach, according to the Garden Ltd sale catalogue]; the Garden Ltd, monogrammed bookplate, sale, Sotheby's New York, 9 November 1989, lot 38 Several other books owned by Nobili are recorded: Richard Heber had a copy of the Aldine Plutarch with Nobili's armorial (his sale, 1835, lot 3057), the public library in Montepulciano owns his 1550 Aristotle, and there are several manuscripts of classical texts in the Laurentian Library in Florence that were also owned by him. The Laurentian catalogue of manuscripts opines that he may have been cameriere secreto to Gregory XIII.Condition ReportCondition is described in the main body of the cataloguing, where appropriate. We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Auction archive: Lot number 6
Auction:
Datum:
28 Jul 2020
Auction house:
Sotheby's
London
Beschreibung:

PLATO Απαντα τα του Πλατωνος... Omnia Platonis opera. Venice: (in the house of Aldus and Andrea Torresani, September 1513) Folio (310 x 192mm.), woodcut Aldine device on title-page and final verso, text in Greek, blank leaf π2 bound after 2/4, with blank leaf ii4, modern pigskin by Bernard Middleton (c. 1980) tooled in period style, two clasps, in brown morocco folding box, title lettered across foredge, a few deckle edges, title-leaf slightly stained, a few wormholes at beginning and end, occasional light staining A TALL COPY OF THE EDITIO PRINCEPS. The text was prepared by Aldus and Marcus Musurus; the first addressed his preface to the new pope Leo X, making a "supplicatio" for a new Christian Republic and for literature, and the latter composed a verse Hymn to Plato (in Greek). Between the two prefaces is a list in Latin of the treatises include in this volume. This edition of Plato was just one of many Greek editiones principes printed by Aldus, though it can also be viewed in contrast to his Aristotle (printed by Aldus in 1495-1498); Aristotle was beloved of scholastic philosophers, and Plato was traditionally seen as an enemy to Christianity. However, the revival of Platonic study during the Renaissance attempted to align Plato with Christian ideals, particularly visible in the works of Marsilio Ficino, who had produced the first printed translation of Plato in 1484. LITERATURE:Aldo Manuzio tipografo 116; Edit16 37450; Renouard 1513/4; UCLA 113 PROVENANCE:Franciscans of Montepulciano, S. Maria di Fontecastello, inscription and shelfmark (H.1) across foredge (see MEI for other similar examples, also owned subsequently by); Guido Nobili (1525-1600), four armorials and inscription on title-page; [Charles W. Clark, of Montana, sold from his estate by Rosenbach, according to the Garden Ltd sale catalogue]; the Garden Ltd, monogrammed bookplate, sale, Sotheby's New York, 9 November 1989, lot 38 Several other books owned by Nobili are recorded: Richard Heber had a copy of the Aldine Plutarch with Nobili's armorial (his sale, 1835, lot 3057), the public library in Montepulciano owns his 1550 Aristotle, and there are several manuscripts of classical texts in the Laurentian Library in Florence that were also owned by him. The Laurentian catalogue of manuscripts opines that he may have been cameriere secreto to Gregory XIII.Condition ReportCondition is described in the main body of the cataloguing, where appropriate. We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Auction archive: Lot number 6
Auction:
Datum:
28 Jul 2020
Auction house:
Sotheby's
London
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