Property from a private German Collection Andy Warhol Sarah Bernhardt from Ten Portraits of Jews of the Twentieth Century 1980 Screenprint in colours, on Lenox Museum Board, the full sheet. S. 101.6 x 81.3 cm (40 x 32 in.) Signed and numbered 78/200 in pencil (there were also 30 artist's proofs), co-published by Ronald Feldman Fine Arts, Inc., New York and Jonathan A Editions, Tel Aviv, with the artist's copyright inkstamp on the reverse, framed.
Literature Frayda Feldman and Jörg Schellmann 234 Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
Property from a private German Collection Andy Warhol Sarah Bernhardt from Ten Portraits of Jews of the Twentieth Century 1980 Screenprint in colours, on Lenox Museum Board, the full sheet. S. 101.6 x 81.3 cm (40 x 32 in.) Signed and numbered 78/200 in pencil (there were also 30 artist's proofs), co-published by Ronald Feldman Fine Arts, Inc., New York and Jonathan A Editions, Tel Aviv, with the artist's copyright inkstamp on the reverse, framed.
Literature Frayda Feldman and Jörg Schellmann 234 Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
