Property from an Important Private European Collection Carroll Dunham Follow Captured shadows: 4-A stainless steel and wood, in 2 parts overall 124 x 152.3 x 101.5 cm (48 7/8 x 59 7/8 x 39 7/8 in.) Executed in 2004.
Provenance Barbara Gladstone Gallery, New York Acquired from the above by the present owner Exhibited New York, Barbara Gladstone Gallery, Carroll Dunham He, She and It, 30 October – 1 December 2004 Lidingö, Millesgården, Carrol Dunham: Paintings and Sculptures 2004 - 2008, 6 September - 2 November 2008, no. 15, p. 36 (illustrated) Artist Bio Carroll Dunham American • 1949 Follow Satire and sexuality meet Carroll Dunham's vivid brush in the artist's often large-scale fantasy worlds. His eye-popping cartoonish veneer takes a cue from Philip Guston while his primitive "visual language" of faceless figures continues a long line of tradition—think back to Paul Cézanne and Pierre-Auguste Renoir Though Dunham jumps between abstraction, figuration, pop, surrealism and cartoon, his works almost exclusively center on the subject of women's sexuality. He also favors painting, though he has delved into prints, works-on-paper and sculpture. His paintings can be seen as contemporary variations on nineteenth-century portraiture of women bathing, injected with similar concerns of those classical and early modernist artists. View More Works
Property from an Important Private European Collection Carroll Dunham Follow Captured shadows: 4-A stainless steel and wood, in 2 parts overall 124 x 152.3 x 101.5 cm (48 7/8 x 59 7/8 x 39 7/8 in.) Executed in 2004.
Provenance Barbara Gladstone Gallery, New York Acquired from the above by the present owner Exhibited New York, Barbara Gladstone Gallery, Carroll Dunham He, She and It, 30 October – 1 December 2004 Lidingö, Millesgården, Carrol Dunham: Paintings and Sculptures 2004 - 2008, 6 September - 2 November 2008, no. 15, p. 36 (illustrated) Artist Bio Carroll Dunham American • 1949 Follow Satire and sexuality meet Carroll Dunham's vivid brush in the artist's often large-scale fantasy worlds. His eye-popping cartoonish veneer takes a cue from Philip Guston while his primitive "visual language" of faceless figures continues a long line of tradition—think back to Paul Cézanne and Pierre-Auguste Renoir Though Dunham jumps between abstraction, figuration, pop, surrealism and cartoon, his works almost exclusively center on the subject of women's sexuality. He also favors painting, though he has delved into prints, works-on-paper and sculpture. His paintings can be seen as contemporary variations on nineteenth-century portraiture of women bathing, injected with similar concerns of those classical and early modernist artists. View More Works
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
