Schoenberg, Arnold. AUTOGRAPH MANUSCRIPT COMMENTARY ON THE FOURTH STRING QUARTET AND THE VIOLIN CONCERTO, WITH AUTOGRAPH MUSIC, SIGNED THREE TIMES ("ARNOLDSCHOENBERG") sent to [Felix Greissle at] his publishers G. Schirmer Inc., about their study score of the Fourth Quartet Op.37 and also including, on the second page, extensive remarks about Greissle's piano arrangement of the Violin Concerto, written by the composer in black and red ink and pencil on a printed form ("List of Errata (Queries) Nr....Interrogator [inserted: "ArnoldSchoenberg"] Name of the Work [inserted: "Streich-Quartett"] Date ["20/X"] 19["37"]..."), with Schoenberg's corrections to the cello part in bar 109 of the first movement of the Quartet, including autograph notation, expressing his praise of the edition overall, and his reservations about certain peculiarities and exaggerations, regarding the size of the time signatures, and the use of the accentuation marks, explaining that he still has twenty or thirty pages of the score to complete; concerning the Concerto, Schoenberg urges to him keep the piano arrangement practical, testing it out with a pianist and adding, in red ink, further remarks about notation of the percussion parts in a separate percussion score 2 pages, folio (c.34 x 23.5cms), New York, 20 October 1937, creasing along central fold
Schoenberg, Arnold. AUTOGRAPH MANUSCRIPT COMMENTARY ON THE FOURTH STRING QUARTET AND THE VIOLIN CONCERTO, WITH AUTOGRAPH MUSIC, SIGNED THREE TIMES ("ARNOLDSCHOENBERG") sent to [Felix Greissle at] his publishers G. Schirmer Inc., about their study score of the Fourth Quartet Op.37 and also including, on the second page, extensive remarks about Greissle's piano arrangement of the Violin Concerto, written by the composer in black and red ink and pencil on a printed form ("List of Errata (Queries) Nr....Interrogator [inserted: "ArnoldSchoenberg"] Name of the Work [inserted: "Streich-Quartett"] Date ["20/X"] 19["37"]..."), with Schoenberg's corrections to the cello part in bar 109 of the first movement of the Quartet, including autograph notation, expressing his praise of the edition overall, and his reservations about certain peculiarities and exaggerations, regarding the size of the time signatures, and the use of the accentuation marks, explaining that he still has twenty or thirty pages of the score to complete; concerning the Concerto, Schoenberg urges to him keep the piano arrangement practical, testing it out with a pianist and adding, in red ink, further remarks about notation of the percussion parts in a separate percussion score 2 pages, folio (c.34 x 23.5cms), New York, 20 October 1937, creasing along central fold
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
