SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH BUTTERBUR DESIGN 蕗薹図蒔絵印籠 Meiji era (1868–1912), circa 1877 With four interlocking cases and cover of wood covered in chadō-nuri, the sides and top decorated with leaves, shoots, and flower of fuki (butterbur or bog rhubarb), in gold, silver, and ishime-nuri takamaki-e, the compartments and risers gold nashiji, the shoulders and rims gold fundame; the netsuke of lacquered wood in the form of a group of clams, one of them breathing out a cloud containing a Chinese palace in gold, silver, and red takamaki-e with shell; gold-lacquered ojime with flowers and butterflies; signed in scratched characters on the base Zeshin 是真 Inrō: 7.6cm × 5.1cm × 2.1cm (3in × 2in × ¾in) Netsuke: 3.5cm x 1.9cm (1⅜in x ¾in) With fitted wood storage box (2) Provenance: (Inrō:) Sotheby's, London, 22–23 November 1990, lot 190 (Inrō and netsuke:) Sold in these Rooms, 5 November 2014, lot 13 Exhibited and Published: Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 77 Fußnoten Zeshin depicted the fuki plant, with its large leaves, in two panels dating respectively from 1877 and 1882 (Nezu Bijutsukan 2012, cat. no. 51 and Earle and Gōke 1996, cat. no. 27). The earlier of the two panels uses techniques very similar to the present lot, suggesting that it may have been made around the same time. The season expressed in this design is spring, when the shoots of fuki can be fried as tempura or used to flavour miso paste. The idea of the 'Clam's Dream', seen on the netsuke, derives from a Chinese chronicle of the first century B.C., where it is stated that when a huge clam breathes on the surface of the sea it makes the shape of a city with buildings. The motif was popular from the late 18th century after to its publication in an illustrated book (Toriyama 1781).
SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH BUTTERBUR DESIGN 蕗薹図蒔絵印籠 Meiji era (1868–1912), circa 1877 With four interlocking cases and cover of wood covered in chadō-nuri, the sides and top decorated with leaves, shoots, and flower of fuki (butterbur or bog rhubarb), in gold, silver, and ishime-nuri takamaki-e, the compartments and risers gold nashiji, the shoulders and rims gold fundame; the netsuke of lacquered wood in the form of a group of clams, one of them breathing out a cloud containing a Chinese palace in gold, silver, and red takamaki-e with shell; gold-lacquered ojime with flowers and butterflies; signed in scratched characters on the base Zeshin 是真 Inrō: 7.6cm × 5.1cm × 2.1cm (3in × 2in × ¾in) Netsuke: 3.5cm x 1.9cm (1⅜in x ¾in) With fitted wood storage box (2) Provenance: (Inrō:) Sotheby's, London, 22–23 November 1990, lot 190 (Inrō and netsuke:) Sold in these Rooms, 5 November 2014, lot 13 Exhibited and Published: Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 77 Fußnoten Zeshin depicted the fuki plant, with its large leaves, in two panels dating respectively from 1877 and 1882 (Nezu Bijutsukan 2012, cat. no. 51 and Earle and Gōke 1996, cat. no. 27). The earlier of the two panels uses techniques very similar to the present lot, suggesting that it may have been made around the same time. The season expressed in this design is spring, when the shoots of fuki can be fried as tempura or used to flavour miso paste. The idea of the 'Clam's Dream', seen on the netsuke, derives from a Chinese chronicle of the first century B.C., where it is stated that when a huge clam breathes on the surface of the sea it makes the shape of a city with buildings. The motif was popular from the late 18th century after to its publication in an illustrated book (Toriyama 1781).
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