STATUETTE DE VAJRAPANI EN ALLIAGE DE CUIVRE DORÉ MONGOLIE, STYLE DE ZANABAZAR, XIXE SIÈCLE Himalayan Art Resources item no. 4623 22 cm (8 5/8 in.) high Footnotes: A GILT COPPER ALLOY FIGURE OF VAJRAPANI MONGOLIA, ZANABAZAR STYLE, 19TH CENTURY 蒙古 札那巴札爾風格 十九世紀 銅鎏金金剛手菩薩像 Provenance: With Claude de Marteau, Brussels, by 1970s Distinguished by rich gilding, smooth contours, and simplified decorative design, this wrathful Canda Vajrapani is characteristic of the Zanabazar atelier in Mongolia. Zanabazar (1635-1723), a Gelug hierarch, had strong social and political influence during the 17th century. His penchant for artistry and design led him to employ master Newari craftsmen to develop his burgeoning style. The ornamentation of jewelry, crown, and attire is restrained and executed using geometrical forms. The long scarf hangs vertically like a waterfall, with the two ends cast in a fishtail swirl of thick folds inset with turquoise and shares similar treatment with another Vajrapani from the Rossi collection (HAR 68856). The lotus base is a hallmark of Zanabazar style and is characterized by wide and flat lotus petals with delicately curled tips. For close comparisons, see Chen, Sattva and Rajas, 2004, pp. 271 & 458-9, nos. 174 & 293, and Christie's, New York, 21 March 2007, lot 333. For further information on this lot please visit Bonhams.com Good condition overall, with losses to the lower edge at the proper left side of the lotus base. Minor dents and scratches intermittently throughout, as is visible in images. Remains of cold gold in the hair, face, and pupils, black and white pigments in the eyes and eyelids, and orange pigment in the hair, eyebrows, and facial hair. There is an undisturbed consecration plate at his back. Base plate is missing. Please contact Dora Tan (dora.tan@bonhams.com) for related condition report images.
STATUETTE DE VAJRAPANI EN ALLIAGE DE CUIVRE DORÉ MONGOLIE, STYLE DE ZANABAZAR, XIXE SIÈCLE Himalayan Art Resources item no. 4623 22 cm (8 5/8 in.) high Footnotes: A GILT COPPER ALLOY FIGURE OF VAJRAPANI MONGOLIA, ZANABAZAR STYLE, 19TH CENTURY 蒙古 札那巴札爾風格 十九世紀 銅鎏金金剛手菩薩像 Provenance: With Claude de Marteau, Brussels, by 1970s Distinguished by rich gilding, smooth contours, and simplified decorative design, this wrathful Canda Vajrapani is characteristic of the Zanabazar atelier in Mongolia. Zanabazar (1635-1723), a Gelug hierarch, had strong social and political influence during the 17th century. His penchant for artistry and design led him to employ master Newari craftsmen to develop his burgeoning style. The ornamentation of jewelry, crown, and attire is restrained and executed using geometrical forms. The long scarf hangs vertically like a waterfall, with the two ends cast in a fishtail swirl of thick folds inset with turquoise and shares similar treatment with another Vajrapani from the Rossi collection (HAR 68856). The lotus base is a hallmark of Zanabazar style and is characterized by wide and flat lotus petals with delicately curled tips. For close comparisons, see Chen, Sattva and Rajas, 2004, pp. 271 & 458-9, nos. 174 & 293, and Christie's, New York, 21 March 2007, lot 333. For further information on this lot please visit Bonhams.com Good condition overall, with losses to the lower edge at the proper left side of the lotus base. Minor dents and scratches intermittently throughout, as is visible in images. Remains of cold gold in the hair, face, and pupils, black and white pigments in the eyes and eyelids, and orange pigment in the hair, eyebrows, and facial hair. There is an undisturbed consecration plate at his back. Base plate is missing. Please contact Dora Tan (dora.tan@bonhams.com) for related condition report images.
Try LotSearch and its premium features for 7 days - without any costs!
Be notified automatically about new items in upcoming auctions.
Create an alert
.jpg "Source: Christie's")
.jpg "Source: Christie's")
