'THE THIRD SECRET' SCRIPT, 1963 AND 'THE BLUE MAX' FIRST DRAFT SCRIPT, 1965: Director of Photography, Douglas Slocombe's two film scripts, 'The Third Secret', 149pp. mimeographed typescript on pale blue paper, bound in light blue card covers, numbered 26 top r.h., cut out window showing the film title on first page, title page reads 'The Third Secret, A Screenplay by Robert L. Joseph, Copyright 1962, May, 1963', the last page bound in upside down, printed by Scripts Ltd., 187a Wardour Street, London W1, 28cm x 22cm, starring Stephen Boyd, Jack Hawkins, and Richard Attenborough: 'The Blue Max', 134pp. mimeographed typescript, including the revised script pages on light blue paper, the title page reads 'April, 1965, The Blue Max, Based on the novel by J.D. Hunter, First Draft Screenplay by David Pursall & Jack Seddon, Twentieth Century Fox Productions Ltd., 31 / 32 Soho Square London W1', starring George Peppard, James Mason and Ursula Andress. * 'Douglas Slocombe Bafta nominated in the category 'Best Cinematography' 1966, for this film. (2)
'THE THIRD SECRET' SCRIPT, 1963 AND 'THE BLUE MAX' FIRST DRAFT SCRIPT, 1965: Director of Photography, Douglas Slocombe's two film scripts, 'The Third Secret', 149pp. mimeographed typescript on pale blue paper, bound in light blue card covers, numbered 26 top r.h., cut out window showing the film title on first page, title page reads 'The Third Secret, A Screenplay by Robert L. Joseph, Copyright 1962, May, 1963', the last page bound in upside down, printed by Scripts Ltd., 187a Wardour Street, London W1, 28cm x 22cm, starring Stephen Boyd, Jack Hawkins, and Richard Attenborough: 'The Blue Max', 134pp. mimeographed typescript, including the revised script pages on light blue paper, the title page reads 'April, 1965, The Blue Max, Based on the novel by J.D. Hunter, First Draft Screenplay by David Pursall & Jack Seddon, Twentieth Century Fox Productions Ltd., 31 / 32 Soho Square London W1', starring George Peppard, James Mason and Ursula Andress. * 'Douglas Slocombe Bafta nominated in the category 'Best Cinematography' 1966, for this film. (2)
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