Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Jaap Wagemaker (1906-1972) Ambre et Blanc (1960) Signed and dated '60 lower right Signed, dated '60 and numbered 224 on the reverse Mixed media relief on board in artist's frame, 31.5 x 27 cm Provenance: - Collection Professor Hofmann - Private collection, Vienna - Private collection, the Netherlands Literature: S. den Heijer, M. van der Knaap, Aarde in Verf, Jaap Wagemaker Schilder van het Elementaire. 1906-1972, Waanders Uitgevers, 1995, no. 164, S.60-037 (ill.) * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Jan Schoonhoven & K. Schippers (1914-1994 & 1936-2021) Schoonhoven aan zee (1984) Published by Bébert, Rotterdam Portfolio comprising two screenprints by Jan Schoonhoven, both signed, dated 1984 and numbered 50/76, together with two texts by K. Schippers The colophon signed by both and dated '84 and numbered 24 by Jan Schoonhoven Wooden portfolio, 52 x 38.1 x 2 cm Note: This edition was published to mark the 70th birthday of Jan Schoonhoven. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Jan Schoonhoven (1914-1994) Formatie (Formation) (1987) Published by Bébert, Rotterdam Portfolio comprising 12 screenprints by Jan Schoonhoven and a text by Janneke Wesseling The colophon signed by both, dated ’87 and numbered 7 Each screenprint signed and dated 1987 lower right and numbered 7/100 lower left, each 49.9 x 32.4 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Joseph Beuys (1921-1986) Das Warhol-Beuys-Ereignis (1979) Signed and annotated Braunkreuz centre right Edition of 500 Published by Free International University, Gelsenkirchen Oil on pages 16 and 17 from the publication Das Warhol-Beuys-Ereignis, 29.5 x 41.7 cm / 36 x 47 cm (framed) Provenance: - Auction Christie's, Amsterdam, 9 June 2004, lot 427 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Literature: Schellmann 319 Note: Braunkreuz translates directly to 'Brown cross'. This wordplay name was invented by Beuys and was used to label his works that contained a very specific brown oil paint. It was a house paint that he thickened with hare's blood. Due to its simplicity and boldness, the artist treated it as if it was a sculptural expression and not just a colour. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Man Ray (1890-1976) La Ballade des Dames hors du Temps (1970): a) Anna Signed lower right and numbered E.A. lower left Etching on Japon nacré, 32.1 x 28.2 cm (image size) / 67.1 x 51.6 cm (sheet size) b) Julie Signed lower right and numbered E.A. lower left Etching with aquatint on Japon nacré, 49.6 x 43.4 cm (image size) 67.1 x 51.1 cm (sheet size) c) Tony Signed lower right and numbered E.A. lower left Etching with aquatint on Japon nacré, 50 x 40.2 cm (image size) / 67.4 x 51.3 cm (sheet size) d) Natasha Signed lower right and numbered E.A. l