Utagawa Kunisada (1786-1864)Kikugawa Eizan (1787-1867)Utagawa Kunimaru (1793-1829)Utagawa Kuninao (1795-1854)A collection of fourteen woodblock printsEdo period, 19th century
each a woodblock print, framed and glazed, and comprising:
- The First Month (Mutsuki), from the series The Five Festivals (Gosekku no uchi), signed Kunisada aratame nidaime Toyokuni ga, censor’s seal Tanaka, published by Aritaya Seimon (Yueido) in 1844- The courtesan Komurasaki and Gonpachi, signed Eizan hitsu (Brush of Eizan)- Yugiri and Uzaemon, signed Eizan hitsu, circa 1813-15- Youth with falcon, signed Eizan hitsu, depicting a young falconer- A young man holding a shakuhachi and reed hood (tengai), signed Kikugawa Eizan hitsu (Brush of Kikugawa Eizan)- A woman and child gazing at their reflection in a water basin, signed Kikugawa Eizan hitsu - A beauty with an umbrella in the rain, signed Kikugawa Eizan hitsu - A courtesan reading a letter, signed Kikugawa Eizan hitsu - A courtesan on stairs, signed Kikugawa Eizan hitsu - A courtesan beside a shamisen and koto, signed Kikugawa Eizan hitsu - Woman reading a letter under a lantern, signed Kikugawa Eizan hitsu, published by Aritaya Seiemon (Yueido), circa 1843-47- Painting (Ga): Courtesans of the Gissha-ro in Ise Furuichi, from an untitled series of the Four Accomplishments (Kinkishoga), signed Edo Utagawa Kunimaru hitsu (Brush of Utagawa Kunimaru of Edo), published by Maruya Jinpachi (Enjudo), circa 1810s – 1820s- A courtesan holding a shamisen, signed Kuninao hitsu (Brush of Kuninao), depicting a courtesan with a shamisen, her robe decorated with plovers (chidori) motif- A woman and child bid farewell to a young man from a balcony, unsigned
Various sizes
Utagawa Kunisada (1786-1864)Kikugawa Eizan (1787-1867)Utagawa Kunimaru (1793-1829)Utagawa Kuninao (1795-1854)A collection of fourteen woodblock printsEdo period, 19th century
each a woodblock print, framed and glazed, and comprising:
- The First Month (Mutsuki), from the series The Five Festivals (Gosekku no uchi), signed Kunisada aratame nidaime Toyokuni ga, censor’s seal Tanaka, published by Aritaya Seimon (Yueido) in 1844- The courtesan Komurasaki and Gonpachi, signed Eizan hitsu (Brush of Eizan)- Yugiri and Uzaemon, signed Eizan hitsu, circa 1813-15- Youth with falcon, signed Eizan hitsu, depicting a young falconer- A young man holding a shakuhachi and reed hood (tengai), signed Kikugawa Eizan hitsu (Brush of Kikugawa Eizan)- A woman and child gazing at their reflection in a water basin, signed Kikugawa Eizan hitsu - A beauty with an umbrella in the rain, signed Kikugawa Eizan hitsu - A courtesan reading a letter, signed Kikugawa Eizan hitsu - A courtesan on stairs, signed Kikugawa Eizan hitsu - A courtesan beside a shamisen and koto, signed Kikugawa Eizan hitsu - Woman reading a letter under a lantern, signed Kikugawa Eizan hitsu, published by Aritaya Seiemon (Yueido), circa 1843-47- Painting (Ga): Courtesans of the Gissha-ro in Ise Furuichi, from an untitled series of the Four Accomplishments (Kinkishoga), signed Edo Utagawa Kunimaru hitsu (Brush of Utagawa Kunimaru of Edo), published by Maruya Jinpachi (Enjudo), circa 1810s – 1820s- A courtesan holding a shamisen, signed Kuninao hitsu (Brush of Kuninao), depicting a courtesan with a shamisen, her robe decorated with plovers (chidori) motif- A woman and child bid farewell to a young man from a balcony, unsigned
Various sizes
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