Edo period (1615-1868), mid-19th century Four oban tate-e prints: two prints of no.11, Okano Ginemon Kanehide and no.43, Yazama Kihei Mitsunobu, respectively, from the series Seichu gishiden (Stories of the True Loyalty of the Faithful Samurai), published by Ebiya Rinnosuke; the third of Udaisho Michitsuna no Haha (Michitsuna's Mother) from the series Hyakunin isshu (One Hundred Poems by One Hundred Poets), published by Ebisu; the fourth the right-hand sheet from a triptych of Mizu: Ukifune (Water: Ukifune) from the series Mitate gogyo (Comparisons for the Five Elements), published by Sanoya Kihei, all signed Ichiyusai Kuniyoshi ga; three mounted on card. The smallest: 34.3cm x 23.5cm (13½in x 9¼in); the largest: 37.5cm x 26cm (14¾in x 10¼in). (4).
Edo period (1615-1868), mid-19th century Four oban tate-e prints: two prints of no.11, Okano Ginemon Kanehide and no.43, Yazama Kihei Mitsunobu, respectively, from the series Seichu gishiden (Stories of the True Loyalty of the Faithful Samurai), published by Ebiya Rinnosuke; the third of Udaisho Michitsuna no Haha (Michitsuna's Mother) from the series Hyakunin isshu (One Hundred Poems by One Hundred Poets), published by Ebisu; the fourth the right-hand sheet from a triptych of Mizu: Ukifune (Water: Ukifune) from the series Mitate gogyo (Comparisons for the Five Elements), published by Sanoya Kihei, all signed Ichiyusai Kuniyoshi ga; three mounted on card. The smallest: 34.3cm x 23.5cm (13½in x 9¼in); the largest: 37.5cm x 26cm (14¾in x 10¼in). (4).
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
