Artist: William Scott CBE RA (1913-1989) Title: White Predominates (1972) Signature: signed, dated '72 and numbered 31/72 Medium: screenprint on wove paper - numbered 31 from an edition of 72 Size: 58.20 x 77½cm (22.9 x 30.5in) Framed Size: 80.2 x 100.4cm (31.6 x 39.5in) Provenance: Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Throughout his career, William Scott alternated between tending towards figuration and abstraction, often occupying a position somewhere between the two. He never quite cast off into complete abstraction, though he comes close here, with two stark Sean Scully like blocks of regular horizontals, mini... Read more William Scott Lot 33 - 'White Predominates (1972)' Estimate: €2,000 - €3,000 Throughout his career, William Scott alternated between tending towards figuration and abstraction, often occupying a position somewhere between the two. He never quite cast off into complete abstraction, though he comes close here, with two stark Sean Scully like blocks of regular horizontals, minimally stated recalling works from a decade and two decades past when he addressed the division and subdivision of spaces in the landscape.
Artist: William Scott CBE RA (1913-1989) Title: White Predominates (1972) Signature: signed, dated '72 and numbered 31/72 Medium: screenprint on wove paper - numbered 31 from an edition of 72 Size: 58.20 x 77½cm (22.9 x 30.5in) Framed Size: 80.2 x 100.4cm (31.6 x 39.5in) Provenance: Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Throughout his career, William Scott alternated between tending towards figuration and abstraction, often occupying a position somewhere between the two. He never quite cast off into complete abstraction, though he comes close here, with two stark Sean Scully like blocks of regular horizontals, mini... Read more William Scott Lot 33 - 'White Predominates (1972)' Estimate: €2,000 - €3,000 Throughout his career, William Scott alternated between tending towards figuration and abstraction, often occupying a position somewhere between the two. He never quite cast off into complete abstraction, though he comes close here, with two stark Sean Scully like blocks of regular horizontals, minimally stated recalling works from a decade and two decades past when he addressed the division and subdivision of spaces in the landscape.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
