Showa Period Comprising: two prints by Yoshida Toshi, one framed and glazed depicting a seascape view at Irozaki, titled Izu Irozaki, dated Showa 36 (1960); the second titled in pencil `Morning in Spring', of a calm and peaceful morning beside a meandering river with two people fishing, dated sen kyuhyaku gojyu ichi nen saku Haru (Spring in 1951), both signed in pencil Toshi Yoshida with seal Yoshida; the third and fourth by Takahashi Shotei/Hiroaki, respectively depicting Nogizaki and an old inn, both signed with seal Hiroaki. Oban yoko-e 28cm x 40cm (11in x 15¾in), the tanzaku 38½cm x 17cm (15 1/8in x 6¾in), three mounted, one framed and glazed. (4).
Showa Period Comprising: two prints by Yoshida Toshi, one framed and glazed depicting a seascape view at Irozaki, titled Izu Irozaki, dated Showa 36 (1960); the second titled in pencil `Morning in Spring', of a calm and peaceful morning beside a meandering river with two people fishing, dated sen kyuhyaku gojyu ichi nen saku Haru (Spring in 1951), both signed in pencil Toshi Yoshida with seal Yoshida; the third and fourth by Takahashi Shotei/Hiroaki, respectively depicting Nogizaki and an old inn, both signed with seal Hiroaki. Oban yoko-e 28cm x 40cm (11in x 15¾in), the tanzaku 38½cm x 17cm (15 1/8in x 6¾in), three mounted, one framed and glazed. (4).
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