John Marin American, 1870-1953 Weehawken Grain Elevators, 1916 Signed Marin and dated 16 (lr); bears title and date on stretcher Oil on canvas 19 1/2 x 23 1/2 Provenance: Marlborough/Gerson Gallery, New York Kennedy Galleries, New York Philip Scott, Rockville Centre, NY (1980) Exhibited: Los Angeles, CA, Los Angeles County Museum of Art; San Francisco, CA, M.H. De Young Memorial Museum; San Diego, CA, The Fine Arts Gallery of San Diego; New York, Whitney Museum of American Art; Washington, DC, National Collection of Fine Arts, John Marin 1870-1953, no. 48 Philadelphia, PA, Philadelphia Museum of Art, John Marin Etchings and Related Work, n.d. Literature: Sheldon Reich, John Marin A Stylistic Analysis and Catalogue Raisonne, The University of Arizona Press, 1970, II, p. 424, no. 16.48 [N.B. The painting reproduced in association with the record for the present work in the catalogue raisonne erroneously depicts another, similarly titled piece (Grain Elevators at Weehawken) no. 16.18 We extend our thanks to Meredith Ward for noting this discrepancy in the catalogue. C Estate of Philip Scott
Not examined out of frame, extreme upper left corner is adhering to linen liner. No evidence of restoration under UV exam. Signature fluoresces.
John Marin American, 1870-1953 Weehawken Grain Elevators, 1916 Signed Marin and dated 16 (lr); bears title and date on stretcher Oil on canvas 19 1/2 x 23 1/2 Provenance: Marlborough/Gerson Gallery, New York Kennedy Galleries, New York Philip Scott, Rockville Centre, NY (1980) Exhibited: Los Angeles, CA, Los Angeles County Museum of Art; San Francisco, CA, M.H. De Young Memorial Museum; San Diego, CA, The Fine Arts Gallery of San Diego; New York, Whitney Museum of American Art; Washington, DC, National Collection of Fine Arts, John Marin 1870-1953, no. 48 Philadelphia, PA, Philadelphia Museum of Art, John Marin Etchings and Related Work, n.d. Literature: Sheldon Reich, John Marin A Stylistic Analysis and Catalogue Raisonne, The University of Arizona Press, 1970, II, p. 424, no. 16.48 [N.B. The painting reproduced in association with the record for the present work in the catalogue raisonne erroneously depicts another, similarly titled piece (Grain Elevators at Weehawken) no. 16.18 We extend our thanks to Meredith Ward for noting this discrepancy in the catalogue. C Estate of Philip Scott
Not examined out of frame, extreme upper left corner is adhering to linen liner. No evidence of restoration under UV exam. Signature fluoresces.
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