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Auction archive: Lot number 3

RICHARD HAMBLETON | SHADOW HEAD PORTRAIT, 2002-2003.

Hip Hop
15 Sep 2020
Estimate
US$12,000 - US$18,000
Price realised:
n. a.
Auction archive: Lot number 3

RICHARD HAMBLETON | SHADOW HEAD PORTRAIT, 2002-2003.

Hip Hop
15 Sep 2020
Estimate
US$12,000 - US$18,000
Price realised:
n. a.
Beschreibung:

RICHARD HAMBLETONSHADOW HEAD PORTRAIT, 2002-2003 Acrylic and gouache on paper. 24 x 15.75 inches; 61 x 40 cm; 26 x 21 inches; 66 x 53.3 cm framed. Signed lower right in pencil WGRH3002 THE GODFATHER OF STREET ART. The present work conjures the portrait of Hambleton's downtown art scene contemporary, Jean-Michel-Basquiat. An American-Canadian Conceptual Artist who became known for his public work no city streets around the world, Richard Hambleton initially made news by painting faux crime-scene outlines of bodies on pavements. In the early 1980s, Hambleton painted shadowy silhouette figures on buildings in the Lower East Side of New York City alongside Jean-Michel-Basquiat and Keith Haring During this time the artist also began to portray iterations of his highly recognized Shadowman figures onto found objects, doors, and canvases, becoming the first artist to introduce a full-scale image of a person in shadow on urban walls. According to him, his Shadowman figures “... could represent watchmen or danger or the shadows of a human body after a nuclear holocaust or even my own shadow”. Richard Hambleton’s work was exhibited at the Museum of Modern Art in 1984 and 1985, and as part of the Venice Biennales of 1984 and 1988, respectively, where he painted his signature shadowmen. A subsequent tour of Europe brought his figures to the streets of Paris, Rome and London. Richard executed Project “Secret Mission” in 1984 where approximately 1500 shadowy silhouettes were painted in London, Paris, Madrid, Barcelona, Basel, Zurich, Antwerp, Amsterdam, Vienna, Milan, Venice, Florence, Rome, Naples, Copenhagen, Stockholm, Oslo, Cologne, Dusseldorf, Berlin, Munich, and Hamburg. That year he also travelled to Berlin to paint seventeen life-size shadowmen on the eastern side of Berlin Wall, returning a year later to paint more on the western side. The Shadowman stands as a symbol of a moment in time, an instantly recognizable figure that will forever permeate our psyche. The conceptual nature of Hambleton’s process is the reaction his work evokes. When one came upon these early dark figures on city streets, it would be the reaction of surprise, fright or feeling befriended that the Artist was seeking. The award-winning documentary Shadowman by Oren Jacoby about his life premiered just a few months before his death, in 2017. REFERENCE:Exhibited: “Richard Hambleton, I Only Have Eyes For You” Solo Exhibition at Woodward Gallery, NYC, April 4-May 17, 2017Illustrated in: New York Times Times, Obituary, "Richard Hambleton, 'Shadowman' of the 80s Art Scence, Dies at 65", by Richard Sandomir, November 3, 2017 PROVENANCE:Hambleton to private collectionCondition ReportTo request a

Auction archive: Lot number 3
Auction:
Datum:
15 Sep 2020
Auction house:
Sotheby's
New York
Beschreibung:

RICHARD HAMBLETONSHADOW HEAD PORTRAIT, 2002-2003 Acrylic and gouache on paper. 24 x 15.75 inches; 61 x 40 cm; 26 x 21 inches; 66 x 53.3 cm framed. Signed lower right in pencil WGRH3002 THE GODFATHER OF STREET ART. The present work conjures the portrait of Hambleton's downtown art scene contemporary, Jean-Michel-Basquiat. An American-Canadian Conceptual Artist who became known for his public work no city streets around the world, Richard Hambleton initially made news by painting faux crime-scene outlines of bodies on pavements. In the early 1980s, Hambleton painted shadowy silhouette figures on buildings in the Lower East Side of New York City alongside Jean-Michel-Basquiat and Keith Haring During this time the artist also began to portray iterations of his highly recognized Shadowman figures onto found objects, doors, and canvases, becoming the first artist to introduce a full-scale image of a person in shadow on urban walls. According to him, his Shadowman figures “... could represent watchmen or danger or the shadows of a human body after a nuclear holocaust or even my own shadow”. Richard Hambleton’s work was exhibited at the Museum of Modern Art in 1984 and 1985, and as part of the Venice Biennales of 1984 and 1988, respectively, where he painted his signature shadowmen. A subsequent tour of Europe brought his figures to the streets of Paris, Rome and London. Richard executed Project “Secret Mission” in 1984 where approximately 1500 shadowy silhouettes were painted in London, Paris, Madrid, Barcelona, Basel, Zurich, Antwerp, Amsterdam, Vienna, Milan, Venice, Florence, Rome, Naples, Copenhagen, Stockholm, Oslo, Cologne, Dusseldorf, Berlin, Munich, and Hamburg. That year he also travelled to Berlin to paint seventeen life-size shadowmen on the eastern side of Berlin Wall, returning a year later to paint more on the western side. The Shadowman stands as a symbol of a moment in time, an instantly recognizable figure that will forever permeate our psyche. The conceptual nature of Hambleton’s process is the reaction his work evokes. When one came upon these early dark figures on city streets, it would be the reaction of surprise, fright or feeling befriended that the Artist was seeking. The award-winning documentary Shadowman by Oren Jacoby about his life premiered just a few months before his death, in 2017. REFERENCE:Exhibited: “Richard Hambleton, I Only Have Eyes For You” Solo Exhibition at Woodward Gallery, NYC, April 4-May 17, 2017Illustrated in: New York Times Times, Obituary, "Richard Hambleton, 'Shadowman' of the 80s Art Scence, Dies at 65", by Richard Sandomir, November 3, 2017 PROVENANCE:Hambleton to private collectionCondition ReportTo request a

Auction archive: Lot number 3
Auction:
Datum:
15 Sep 2020
Auction house:
Sotheby's
New York
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