Details
ROBERT FRANK (1924–2019)
Political Rally, Chicago, 1956
gelatin silver print, printed 1970s
signed in ink (margin)
image: 13 7/8 x 9 1/2 in. (35.2 x 24.2 cm.)
sheet: 16 x 12 in. (40.7 x 30.5 cm.)
Provenance
Roth Horowitz Gallery, New York;
acquired from the above by the present owner, 2004.
Literature
Robert Frank, Les Américains, Delpire, Paris, 1958, pl. 58, p. 121.
Robert Frank, The Americans, Grove Press, New York, 1959, pl. 58, n.p., and in all subsequent editions.
Beaumont Newhall, The History of Photography: From 1839 to the Present Day, The Museum of Modern Art/George Eastman House, New York, 1964, p. 200.
John Szarkowski, Looking at Photographs, The Museum of Modern Art, New York, 1973, p. 177.
Sarah Greenough and Philip Brookman, Robert Frank Moving Out, Scalo, New York, 1994, p. 177.
Sarah Greenough, Robert Frank The Americans, Looking In, Steidl, Göttingen, 2009, pp. 281 and 476 and contact no. 58.
Details
ROBERT FRANK (1924–2019)
Political Rally, Chicago, 1956
gelatin silver print, printed 1970s
signed in ink (margin)
image: 13 7/8 x 9 1/2 in. (35.2 x 24.2 cm.)
sheet: 16 x 12 in. (40.7 x 30.5 cm.)
Provenance
Roth Horowitz Gallery, New York;
acquired from the above by the present owner, 2004.
Literature
Robert Frank, Les Américains, Delpire, Paris, 1958, pl. 58, p. 121.
Robert Frank, The Americans, Grove Press, New York, 1959, pl. 58, n.p., and in all subsequent editions.
Beaumont Newhall, The History of Photography: From 1839 to the Present Day, The Museum of Modern Art/George Eastman House, New York, 1964, p. 200.
John Szarkowski, Looking at Photographs, The Museum of Modern Art, New York, 1973, p. 177.
Sarah Greenough and Philip Brookman, Robert Frank Moving Out, Scalo, New York, 1994, p. 177.
Sarah Greenough, Robert Frank The Americans, Looking In, Steidl, Göttingen, 2009, pp. 281 and 476 and contact no. 58.
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