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Auction archive: Lot number 363

Robert Frank (1924–2019)

Photographica
28 Oct 2020
Estimate
£2,000 - £3,000
ca. US$2,609 - US$3,913
Price realised:
n. a.
Auction archive: Lot number 363

Robert Frank (1924–2019)

Photographica
28 Oct 2020
Estimate
£2,000 - £3,000
ca. US$2,609 - US$3,913
Price realised:
n. a.
Beschreibung:

(Photographica, 28th October 2020) Robert Frank (1924–2019) Robert Frank (1924–2019) 'PULL MY DAISY' FILM STILL, 1958, vintage ferrotyped silver gelatin print, image size, 238 x 175mm, with annotations in crayon to the margins, and with hand written label affixed verso, titled and credited in ink, and with the Stephen Dwoskin Archival stamp verso Provenance: Stephen Dwoskin Archive Pull My Daisy is a 1958 American short film directed by Robert Frank and Alfred Leslie and adapted by Jack Kerouac from the third act of his play, Beat Generation. Kerouac also provided improvised narration. It features poets Allen Ginsberg, Peter Orlovsky and Gregory Corso, artists Larry Rivers and Alice Neel musician David Amram, art dealer Richard Bellamy, Delphine Seyrig, dancer Sally Gross, and Pablo Frank, Robert Frank's son. Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Originally intended to be called The Beat Generation, the title Pull My Daisy was taken from the poem of the same name written by Kerouac, Ginsberg, and Cassady in the late 1940s. Part of the original poem was used as a lyric in Amram's jazz composition that opens the film. The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised. Pull My Daisy was accordingly praised for years as an improvisational masterpiece. It was filmed in Alfred Leslie's loft at Fourth Ave. & 12th St. in Manhattan. Leslie and Frank discuss the film at length in Jack Sargeant's book Naked Lens: Beat Cinema. An illustrated transcript of the film's narration was also published in 1961 by Grove Press. Pull My Daisy was selected for preservation in the United States National Film Registry by the Library of Congress in 1996, as being "culturally, historically, or aesthetically significant".

Auction archive: Lot number 363
Auction:
Datum:
28 Oct 2020
Auction house:
Chiswick Auctions
Colville Road 1
London, W3 8BL
United Kingdom
info@chiswickauctions.co.uk
+44 020 89924442
Beschreibung:

(Photographica, 28th October 2020) Robert Frank (1924–2019) Robert Frank (1924–2019) 'PULL MY DAISY' FILM STILL, 1958, vintage ferrotyped silver gelatin print, image size, 238 x 175mm, with annotations in crayon to the margins, and with hand written label affixed verso, titled and credited in ink, and with the Stephen Dwoskin Archival stamp verso Provenance: Stephen Dwoskin Archive Pull My Daisy is a 1958 American short film directed by Robert Frank and Alfred Leslie and adapted by Jack Kerouac from the third act of his play, Beat Generation. Kerouac also provided improvised narration. It features poets Allen Ginsberg, Peter Orlovsky and Gregory Corso, artists Larry Rivers and Alice Neel musician David Amram, art dealer Richard Bellamy, Delphine Seyrig, dancer Sally Gross, and Pablo Frank, Robert Frank's son. Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Originally intended to be called The Beat Generation, the title Pull My Daisy was taken from the poem of the same name written by Kerouac, Ginsberg, and Cassady in the late 1940s. Part of the original poem was used as a lyric in Amram's jazz composition that opens the film. The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised. Pull My Daisy was accordingly praised for years as an improvisational masterpiece. It was filmed in Alfred Leslie's loft at Fourth Ave. & 12th St. in Manhattan. Leslie and Frank discuss the film at length in Jack Sargeant's book Naked Lens: Beat Cinema. An illustrated transcript of the film's narration was also published in 1961 by Grove Press. Pull My Daisy was selected for preservation in the United States National Film Registry by the Library of Congress in 1996, as being "culturally, historically, or aesthetically significant".

Auction archive: Lot number 363
Auction:
Datum:
28 Oct 2020
Auction house:
Chiswick Auctions
Colville Road 1
London, W3 8BL
United Kingdom
info@chiswickauctions.co.uk
+44 020 89924442
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