Details
ROBERT FRANK (1924–2019)
Covered Car, Long Beach, California, 1955-1956
gelatin silver print, printed 1970s
signed, titled and dated in pencil (margin); annotated in pencil (verso)
image: 85⁄8 x 127⁄8 in. (21.9 x 32.7 cm.)
sheet: 11 x 14 in. (27.9 x 35.5 cm.)
Provenance
Christie's New York, October, 14, 2008, lot 280;
acquired from the above by the present owner.Literature
Robert Frank, Les Américains, Delpire, Paris, 1958, no. 34, p. 73.
Robert Frank, The Americans, Grove Press, New York, 1959, no. 34, n.p., and all subsequent editions.
Manuel Gasser and Willy Rotzler, 'Robert Frank,' Du, vol. 22, no. 1, January 1962, p. 15.
Sarah Greenough and Philip Brookman, Robert Frank: Moving Out, The National Gallery of Art, Washington, 1994, p. 187.
Sarah Greenough and Alexander Stuart, Looking In: Robert Frank's The Americans, The National Gallery of Art, Washington, 2009, p. 250, expanded edition.
Details
ROBERT FRANK (1924–2019)
Covered Car, Long Beach, California, 1955-1956
gelatin silver print, printed 1970s
signed, titled and dated in pencil (margin); annotated in pencil (verso)
image: 85⁄8 x 127⁄8 in. (21.9 x 32.7 cm.)
sheet: 11 x 14 in. (27.9 x 35.5 cm.)
Provenance
Christie's New York, October, 14, 2008, lot 280;
acquired from the above by the present owner.Literature
Robert Frank, Les Américains, Delpire, Paris, 1958, no. 34, p. 73.
Robert Frank, The Americans, Grove Press, New York, 1959, no. 34, n.p., and all subsequent editions.
Manuel Gasser and Willy Rotzler, 'Robert Frank,' Du, vol. 22, no. 1, January 1962, p. 15.
Sarah Greenough and Philip Brookman, Robert Frank: Moving Out, The National Gallery of Art, Washington, 1994, p. 187.
Sarah Greenough and Alexander Stuart, Looking In: Robert Frank's The Americans, The National Gallery of Art, Washington, 2009, p. 250, expanded edition.
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