Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Kinselmeer, Stompe Toren (1995) Black and white photograph, glazed and laminated on plastic, 32 x 55 cm Provenance: - Galerie de Expeditie, Zsa-Zsa Eyck, Amsterdam, 1996 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Kinselmeer, "Stompe Toren" (December 1995) Signed, titled and dated December 1995 on a certificate dated 16 mei 1996 affixed to the backing of the frame C-print on Plexiglass in two-part wooden frame, 75.7 x 144.4 cm Provenance: - Galerie de Expeditie, Zsa-Zsa Eyck, Amsterdam, 1996 - Private collection, the Netherlands Note: Over the years, Van Elk also developed a growing interest in classical pictorial elements. For instance, he created a series of works depicting the Kinselmeer, reminiscent of seventeenth-century seascapes. Eventually, Van Elk proved not to be a strict conceptual purist, but a curious artist who studied the visual traditions of European art. "When you are young, you want to explore your field. Later on, you realize that history repeats itself. When you look at those Flemish Primitives in Bruges, Hans Memling, Rogier van der Weyden: the concentration evident in those works!" - Ger van Elk * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) "Nebraska I" (1984) Signed, titled and dated '84 on the reverse Colour photograph on polystyrene, polyurethane paint and varnish in grey painted frame, 168 x 124.6 x 17.3 cm Provenance: - Art & Project, Slootdorp, 1984 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Conclusion I - New York "Grey" (2010) Signed and dated 2010 on the reverse Signed, titled and dated 2010 on a label attached to the backing of the frame Acrylic paint on photograph on canvas, 96 x 102 x 5.5 cm Provenance: - Grimm Gallery, Amsterdam - Private collection, the Netherlands Note: In the nuanced masterpiece Conclusions I - New York "Grey", Ger van Elk transcends the conventional boundaries of colour, ushering viewers into a contemplative realm where emotions are expressed through the subtle interplay of shades of grey. With meticulous brushstrokes, Van Elk transforms the canvas into a visual poetry, delving deep into the intricacies of the human psyche. The monochromatic palette, devoid of vibrant hues, serves as a canvas for profound introspection. Each stroke seems to echo the intricate layers of human emotion, inviting viewers to embark on a reflective journey. Through this artwork, Van Elk captures the essence of emotional complexity, leaving an indelible impression on the observer, and reaffirming his status as a master of evocative minimalism. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Brian Ballard (1943) Black vase in Mirror (1990) Signed and dated '90 lowe