Yves KLEIN (1928-1962) Harry SCHUNK (1942-2006) et Janós KENDER (1937-2009)LE SAUT DANS LE VIDE, 1960-1992 Photographie en noir et blanc Edition à seulement 3 exemplaires, celle-ci signée par Harry Schunk et annotée AP (artist's proof) Conçue en 1960 et imprimée en 1992 par Harry Schunk Cachet du photographe au dos 124 x 100 cmFootnotes"Le vide a toujours été ma préoccupation essentielle et je tiens pour assurer que dans le coeur aussi bien que dans le cœur de l'homme, il y a des feux qui brûlent."Manifeste de l'hôtel Chelsea, Yves Klein Expositions: Photographs We Know: Iconic Images, Fahey/Klein Gallery, Los Angeles, 6 December 2001 – 16 February 2002, un autre exemplaire. The Lens and the Mirror, Part 2: Self-Portraits from the Collection, 1957-2000, The Metropolitan Museum of Art, New York, 3 August - 29 November 2009, un autre exemplaire Yves Klein With the Void, Full Powers, Walker Art Center, Minneapolis, 11 February - 31 May 2010; Hirshhorn Museum and Sculpture Garden, Washington, D.C., 23 October 2010 - 13 February 2011, un autre exemplaire. Faking It: Manipulated Photography Before Photoshop, The Metropolitan Museum of Art, New York, 10 October 2012 - 27 January 2013; National Gallery of Art, Washington, D.C., 17 February - 5 May 2013; Museum of Fine Arts, Houston, 2 June 2013 - 25 August 2013, un autre exemplaire. Art on Camera: Photographs by Shunk-Kender, 1960-1971, The Museum of Modern Art, New York, 17 May - 4 October 2015. un autre exemplaire. Bibliographie: P. Restany, Yves Klein Paris: Chene, 1982, p. 184. D. de Menil & J-Y Mock, Yves Klein 1928-1962: A Retrospective, Houston: Institute for the Arts, Rice University; New York: The Arts Publisher, 1982, p. 63. D. Bozo, Yves Klein Paris: Centre Georges Pompidou, 1983, p. 358. S. Stitch, Yves Klein Ostfildern: Hatje Cantz, 1994, p. 216. D. Fogle et al., The Last Picture Show: Artists Using Photography 1960-1982, Minneapolis: Walker Art Center, 2003, p. 9. C. Morineau, Yves Klein : Corps, couleur, immatériel, Paris: Centre Georges Pompidou, 2006, p. 53. B. Corà & Daniel Moquay, Yves Klein Lugano: Museo d'Arte, 2009, couverture, pp. 112-113 F. Prot & P. Smith, Yves Klein Incandescence, Milan: 5 Continents, 2012, p. 198 M. Fineman et al., Faking It: Manipulated Photography Before Photoshop, New York: The Met, 2012, pl. 188, pp. 182, 252. Q. Bajac et al., Photography at MoMA: 1960 to Now, New York: MoMA, 2015, p. 156 J. Dibbets, Pandora's Box: Jan Dibbets on Another Photography, Paris: Paris Musées, 2016, p. 160. M. Koddenberg, Yves Klein In/Out Studio, Dortmund: Kettler, 2016, p. 176 S. Baker & F. Moran, Performing for the Camera, London: Tate, 2016, p. 10. M. Hollein, Modern and Contemporary Art in The Metropolitan Museum of Art, New York: The Met, 2019, p. 110.
Yves KLEIN (1928-1962) Harry SCHUNK (1942-2006) et Janós KENDER (1937-2009)LE SAUT DANS LE VIDE, 1960-1992 Photographie en noir et blanc Edition à seulement 3 exemplaires, celle-ci signée par Harry Schunk et annotée AP (artist's proof) Conçue en 1960 et imprimée en 1992 par Harry Schunk Cachet du photographe au dos 124 x 100 cmFootnotes"Le vide a toujours été ma préoccupation essentielle et je tiens pour assurer que dans le coeur aussi bien que dans le cœur de l'homme, il y a des feux qui brûlent."Manifeste de l'hôtel Chelsea, Yves Klein Expositions: Photographs We Know: Iconic Images, Fahey/Klein Gallery, Los Angeles, 6 December 2001 – 16 February 2002, un autre exemplaire. The Lens and the Mirror, Part 2: Self-Portraits from the Collection, 1957-2000, The Metropolitan Museum of Art, New York, 3 August - 29 November 2009, un autre exemplaire Yves Klein With the Void, Full Powers, Walker Art Center, Minneapolis, 11 February - 31 May 2010; Hirshhorn Museum and Sculpture Garden, Washington, D.C., 23 October 2010 - 13 February 2011, un autre exemplaire. Faking It: Manipulated Photography Before Photoshop, The Metropolitan Museum of Art, New York, 10 October 2012 - 27 January 2013; National Gallery of Art, Washington, D.C., 17 February - 5 May 2013; Museum of Fine Arts, Houston, 2 June 2013 - 25 August 2013, un autre exemplaire. Art on Camera: Photographs by Shunk-Kender, 1960-1971, The Museum of Modern Art, New York, 17 May - 4 October 2015. un autre exemplaire. Bibliographie: P. Restany, Yves Klein Paris: Chene, 1982, p. 184. D. de Menil & J-Y Mock, Yves Klein 1928-1962: A Retrospective, Houston: Institute for the Arts, Rice University; New York: The Arts Publisher, 1982, p. 63. D. Bozo, Yves Klein Paris: Centre Georges Pompidou, 1983, p. 358. S. Stitch, Yves Klein Ostfildern: Hatje Cantz, 1994, p. 216. D. Fogle et al., The Last Picture Show: Artists Using Photography 1960-1982, Minneapolis: Walker Art Center, 2003, p. 9. C. Morineau, Yves Klein : Corps, couleur, immatériel, Paris: Centre Georges Pompidou, 2006, p. 53. B. Corà & Daniel Moquay, Yves Klein Lugano: Museo d'Arte, 2009, couverture, pp. 112-113 F. Prot & P. Smith, Yves Klein Incandescence, Milan: 5 Continents, 2012, p. 198 M. Fineman et al., Faking It: Manipulated Photography Before Photoshop, New York: The Met, 2012, pl. 188, pp. 182, 252. Q. Bajac et al., Photography at MoMA: 1960 to Now, New York: MoMA, 2015, p. 156 J. Dibbets, Pandora's Box: Jan Dibbets on Another Photography, Paris: Paris Musées, 2016, p. 160. M. Koddenberg, Yves Klein In/Out Studio, Dortmund: Kettler, 2016, p. 176 S. Baker & F. Moran, Performing for the Camera, London: Tate, 2016, p. 10. M. Hollein, Modern and Contemporary Art in The Metropolitan Museum of Art, New York: The Met, 2019, p. 110.
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