Pierre Chareau Jardinière, model no. PF 35 circa 1923 Painted wrought iron. 41 in. (104.1 cm) high
Provenance Sotheby's, London, "20th Century Decorative Arts & Design," October 19, 2000, lot 130 Galerie Jacques de Vos, Paris Private collection, Connecticut Christies, New York, “A Private Collection of French Mid-Century Design,” December 7, 2005, lot 78 Literature Émile-Bayard, L’art appliqué français d’aujourd’hui’, Paris, 1925, p. 307 Ivanhoé Rambosson, “Un Grand Hotel à Tours,” Art et Décoration, January-June 1928, pp. 34, 38 Mark Vellay and Kenneth Frampton Pierre Chareau Architecte-Mueblier 1883-1950, Paris, 1984, pp. 38, 76, 74, 86, 88, 210, 336 Brian Brice Taylor, Pierre Chareau Cologne, 1998, pp. 24, 127 Catalogue Essay A steady presence in Pierre Chareau’s 1920s interiors, his PF 35 jardinière played a supporting role in Le Vertige (1926), a silent flm by experimental flmmaker Marcel L’Herbier, who also employed set design and decoration by Robert Mallet-Stevens Sonia Delaunay and Ferdinand Léger. Chareau exhibited the PF 35 that same year at the Salon d’Automne and used examples the following year in the reception hall and the Salle des Fêtes of the Grand-Hôtel de Tours. Read More
Pierre Chareau Jardinière, model no. PF 35 circa 1923 Painted wrought iron. 41 in. (104.1 cm) high
Provenance Sotheby's, London, "20th Century Decorative Arts & Design," October 19, 2000, lot 130 Galerie Jacques de Vos, Paris Private collection, Connecticut Christies, New York, “A Private Collection of French Mid-Century Design,” December 7, 2005, lot 78 Literature Émile-Bayard, L’art appliqué français d’aujourd’hui’, Paris, 1925, p. 307 Ivanhoé Rambosson, “Un Grand Hotel à Tours,” Art et Décoration, January-June 1928, pp. 34, 38 Mark Vellay and Kenneth Frampton Pierre Chareau Architecte-Mueblier 1883-1950, Paris, 1984, pp. 38, 76, 74, 86, 88, 210, 336 Brian Brice Taylor, Pierre Chareau Cologne, 1998, pp. 24, 127 Catalogue Essay A steady presence in Pierre Chareau’s 1920s interiors, his PF 35 jardinière played a supporting role in Le Vertige (1926), a silent flm by experimental flmmaker Marcel L’Herbier, who also employed set design and decoration by Robert Mallet-Stevens Sonia Delaunay and Ferdinand Léger. Chareau exhibited the PF 35 that same year at the Salon d’Automne and used examples the following year in the reception hall and the Salle des Fêtes of the Grand-Hôtel de Tours. Read More
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