Property from a Private French CollectionYves Tanguy1900 - 1955Sans Titre signed YVES TANGUY and dated 32 (lower right)oil on canvas14,2 x 24,1 cm; 5⅝ x 9½ in.Painted in 1932. At this time it is the intention of the Yves Tanguy Committee to include this work in the forthcoming revised Yves Tanguy Catalogue Raisonné._____________________________________________________________ Provenant d'une collection particulière françaiseYves Tanguy1900 - 1955Sans Titre signé YVES TANGUY et daté 32 (en bas à droite)huile sur toile14,2 x 24,1 cm; 5⅝ x 9½ in.Peint en 1932. Le Comité Yves Tanguy a l'intention d'inclure cette œuvre au sein de l'édition révisée du Catalogue raisonné d'Yves Tanguy actuellement en préparation.Condition reportThe canvas is lined. Examination under UV light reveals small dots of retouching along the extreme edges and to all corners, and further smaller dots of retouching to the grey and black pigments, most predominately to the lower left quadrant. There are lines of stable craquelure in places. There is some minor frame rubbing along the extreme edges. This work is in overall good condition. "
Property from a Private French CollectionYves Tanguy1900 - 1955Sans Titre signed YVES TANGUY and dated 32 (lower right)oil on canvas14,2 x 24,1 cm; 5⅝ x 9½ in.Painted in 1932. At this time it is the intention of the Yves Tanguy Committee to include this work in the forthcoming revised Yves Tanguy Catalogue Raisonné._____________________________________________________________ Provenant d'une collection particulière françaiseYves Tanguy1900 - 1955Sans Titre signé YVES TANGUY et daté 32 (en bas à droite)huile sur toile14,2 x 24,1 cm; 5⅝ x 9½ in.Peint en 1932. Le Comité Yves Tanguy a l'intention d'inclure cette œuvre au sein de l'édition révisée du Catalogue raisonné d'Yves Tanguy actuellement en préparation.Condition reportThe canvas is lined. Examination under UV light reveals small dots of retouching along the extreme edges and to all corners, and further smaller dots of retouching to the grey and black pigments, most predominately to the lower left quadrant. There are lines of stable craquelure in places. There is some minor frame rubbing along the extreme edges. This work is in overall good condition. "
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